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Twenty percent of all funding received for this project will be donated to the North Carolina NAACP. The remaining eighty percent of the funding received will be used to purchase the materials for the project. Any funding received that exceeds the cost of the materials will be used to host in-person discussion/making circles for locations outside of Durham, NC. 

Thank you for your support! 

The problem, which [white people] invented, has made of them criminals and monsters, and it is destroying them.
— James Baldwin
The onus is on white women to reach out [to women of color] and repair any rift that occurs on the basis of race.
— Claire Heuchan, Black radical feminist
I find it really difficult to convince white women, or white people, that we need to be liberated from anything. And yet I can think of so many ways that whiteness has constrained me and shrunk my sense of what’s possible.
— female Dirty White Matter participant

[Please note that the above quote is referring to whiteness as a social construct, not to white privilege. ]

I’ve seen the paperwork from my family owning other people…nobody knows how to process it...and then it gets worse generationally and it just lays there all the time and you ignore it.
— female Dirty White Matter participant











 

DIRTY WHITE MATTER  is a community-based art collaboration that challenges white supremacy

This project uses everyday materials, recorded interviews and group discussion. It focuses on what white female and femme folks can do to be accountable to women of color. hrough guided exercises, participants manipulate symbolic materials, like tampons, cotton face wipes and Q-tips, that visually represent harmful narratives about whiteness, such as cleanliness and purity. While working we listen to and discuss recorded interviews of non-white females sharing their experiences with whiteness. I then incorporate participants' altered materials into new sculptures like The silent edge of the shallow.

You can join for one or several dates. Each event will be different. (You do not need to be cis female to participate.)

• Upcoming dates (2018): 
Saturday, February 17, 1-3p  (Durham)
Saturday, March 3, 12-2p  (Durham)
Sunday, March 25, 2-4p  (Durham)
Saturday, April 21, 1-3p  (Durham)

[More events will be scheduled for 2018 in Durham and Asheville. Please contact me if you'd like an event on a different date or in a different location.]

• Participate In Person:
You can join in-person (in Durham, NC), currently at my home. 2018 are also being scheduled at public venues in Durham and throughout NC. 

• Participate Via Video Conference:
Those outside of Durham can join via video conference. To do this, send me your mailing address, and I'll mail you materials to us. Prior to the discussion/making circle that you signed up for I will email you a link to access the video conference. 

• Be Interviewed for the Project: Non-white females can participate by being interviewed on their experiences with whiteness. The interviewers and the interviewees are each paid for their time (everyone receives $20/hr). "Dirty White Matter" considers all non-white people experts on whiteness and systemic, race-based oppression in the US. While some non-white folks obviously do more work in these fields than others, the intention here is to validate every non-white person's experiences and to properly acknowledge the amount of emotional labor and work required to live as a non-white person in our white-dominated society. Because interviewers and interviewees are sharing their hard-earned knowledge and experiences, they should be paid for their time. 

• Donations & Registration:
These events are free.
[Donations from white participants are welcome! If you're able, $10-$20 optional donations help offset the material costs and helps cover the cost of compensating non-white interviewees for their time and expertise. To make a donation, please visit megstein.com/support/support-meg-steins-work.] 

If you have questions, please email me at meg [dot] stein [dot] artist [at] gmail [dot] com. 

FREQUENTLY ASKED QUESTIONS
1. Do I have to join every event in order to participate?
No, you can join for only one date or you can join for more than one. Ultimately, you're welcome to join as many as you'd like.  
2. Do I have to live in Durham, NC to participate?
No, if you live outside Durham, NC, you can join the discussion/making circles via video conference. 
3. Is there a way I can participate in the project without joining any of the events? 
Yes, if you can't or don't want to physically join the project, you are welcome to contribute to the project by donating. Please see the "Support the project" button in the left-hand column.  You can also look at the resource list on this page for other, similar projects that may interest you. 
4. None of these dates work for me. Can I still participate? 
Yes, you can email me to set up an additional event on a date that works for you. You can also email me to discuss other ways you can be involved. 
5. Why does this project only include female/femme folks?
The project is currently limited to people who are most often identified as female or femme (you do NOT have to be a cisgender female to participate). This requirement invites female/femme folks to support each other through self-awareness work and emotional labor required for racial justice. As a group we will discuss ways for white women to be accountable to women of color while ensuring that white folks do our own emotional labor. We will consider the statement of Black radical feminist Claire Heuchan that, "the onus is on white women to reach out [to women of color] and repair any rift that occurs on the basis of race.”
6. Can women of color participate in this project in other ways besides joining in person?
Yes, there are a few different ways that women of color are being included in this project. First, the thoughts, quotes, writings and speeches of women of color are included in the group discussions, through both prompts and comments that I offer the group. All non-white women are welcome to send me any thoughts, comments, etc... that they want me to share with the group (this can be anonymously shared with the group). Secondly, I am currently working with several friends who are also women of color to set up opportunities where a wide variety of women from non-white backgrounds can use video and audio to share their thoughts and messages for white women. Third, I am always open to talking with anyone (including non-white and/or non-female people) who is interested in participating in some way. 
7. What materials are used in the project and how were they selected?
The symbolic materials used were selected because they visually represent harmful narratives about whiteness and gender. Every participant is given some combination of materials from this list: tampons, maxi pads, cotton balls, cotton face wipes, panty liners, gauze pads, and q-tips. These materials all use cotton, which is, obviously, a racially charged material in the US. As a plant, cotton is actually an off-white color, so these bright white materials have been bleached to become ivory white. Part of what the materials provide is a lens through which we can look at narratives around whiteness, such as the idea that bright white means “clean, sterile, pure” etc. These materials only come in the color bright white. They are also all used in an intimate bodily way, which also allows us to consider how those ideas of cleanliness and purity affect white women and women of color. Participants are also invited to bring materials that, for them, are connected to whiteness. 
8. How will authorship of this project work? 
Everyone who participates in this project (including interviewees) will be credited by name as a collaborator for contributing to the large-scale sculpture and/or the project as a whole. The only exceptions to this will be for people who wish to be listed as Anonymous. As the lead artist, I, Meg Stein, will retain copyright and license rights for the project and any work that I make as a result of the project. If any of my art from the project is ever sold, all of the profits from the sale (so all of the money received that exceeds the cost of covering the materials used in the project) will be donated to a racial justice organization, such as Black Lives Matter and/or the NC NAACP. Also, there will be specifications for who can purchase the final work, to ensure that the work will only be used and exhibited in ways that uphold the values put forth by this project (if you want to contribute ideas on how to do this, please email me). For those who participate in the workshops to create their own sculptures, each participant will retain the copyright and license rights for their own individual sculptures. Each participant will then be able to sell their own sculptures if they'd like to. I will ask each participant to consider including their sculptures in any exhibitions that result from this project. 


RESOURCES
Here is a list of similar projects that may also be of interest to you:
Nice White Ladies
The Whiteness Project
Appolition

Here is a list of artists, curators, writers, podcasts, books, organizations and other resources that have greatly aided me in my racial justice work:
Seeing White podcast (produced at the Center for Documentary Studies in Durham, NC)
The Racial Equity Institute (based in Greensboro, NC)
"White Fragility" by Rodin DiAngelo
• “A Syllabus for Making Work About Race as a White Artist in America” by Ryan Wong
• I Am Not Your Negro
Triangle SURJ (Showing Up for Racial Justice)
White Supremacy Culture (produced by SURJ)
White Women, Race Matters: The Social Construction of Whiteness by Ruth Frankenburg
• Towards the "Other America": Anti-Racist Resources for White People Taking Action for Black Lives Matter by Chris Crass
• "Your Silence Will Not Protect You: Racism in the Feminist Movement" by Claire Heuchan
• White: Whiteness and Race in Contemporary Art curated by Maurice Berger
Revolutionary Mothering: Love on the Front Lines edited by Alexis Pauline Gumbs, China Martens and Mai'a Williams
• “White Privilege: Unpacking the Invisible Knapsack” by Peggy McIntosh